Listen to Johnnie Taylor singing "Soul Heaven" on YouTube. To automatically link to Johnnie Taylor's charted radio singles, awards, CD's and many other references on the website, go to "Taylor, Johnnie" in Daddy B. "ON THE IMPORTANCE OF BIG HEAD HUNDREDS (Which could have and should have been just the beginning of a new phase in Johnnie Taylor's career.)" (Tidbit #1) Nice's "Johnnie Taylor Did It All Before" (Tidbit #4) and. See "Tidbits" below for the latest updates on Johnnie Taylor.Īlso included: Daddy B. See Ronnie Lovejoy Artist Guide for the back-story. In doing so, "Soul Heaven" moves back into the #1 spot on the Top 100 Southern Soul Songs chart, upending the more deserving "Sho' Wasn't Me," which I shall continue to headline as the "#1 Song in Southern Soul" on the Ronnie Lovejoy page. It's time to reinstate Taylor in the #1 spot of the Top 100 Southern Soul Artists chart where everyone intimate with southern soul knows he belongs. But that experiment, I think, has run its course. Nice's Guide to Ronnie Lovejoy know that for the past year and a half I have relegated Johnnie Taylor to the #2 Southern Soul Artist so that I could right a perceived wrong and feature Lovejoy's "Sho' Wasn't Me" as the #1 Song in Southern Soul. July 14, 2019: Top Of The Charts Readers of Daddy B. Listen to a fantastic new documentary/video on Johnnie Taylor's career! Nice's Top 100 Countdown: The New Generation (Chart In Progress) Interestingly, the CD reissue includes the previously unreleased gem “ Rumours“… why this gorgeous low-key workout remained in the cans for decades is a mystery to me.Johnnie Taylor - Southern Soul Music Artist - Southern Soul RnB Nobody Is Somebody Now” and the decided “ I’d Rather Drink Muddy Water“. The album closes with no less than three stupendously deep, raw blues excursions: the pounding “ Payback Hurts“, the wistful “ Mr. The desolate mood is sustained on the painfully sensitive “ Poor Make Believer“, which is a tastefully orchestrated, quiet, calm and somewhat depressing ballad. “ I’m Trying” is one of my favs here… a sweet, plaintive ballad sporting some of Johnnie’s finest pleading… Superb brassy intro, as well. Right after that, Johnnie lays another hard-socking, busy soul groove on you with the funky “ Take Care of Your Homework“, featuring some nice, punching stabs at the organ during the instrumental break. Taylor’s reaffirming his blues credentials yet again on the bitter ‘slugged-in-the-stomach’ wailer “ Can’t Trust Your Neighbour” and the resigned, pensive lamentation “ Woman Across the River” (both later covered by Freddie King). Trebling, reverberating guitars set off the sweaty blues vamp “ I’m Not the Same Person“, while the delightfully arranged (check those flutes!) mid-tempo ballad “ Hold On This Time” is plain sweet. Be that as it may, his vocal performance really immortalizes this stomping, rocking workout. Ironically, Taylor himself initially didn’t like “Who’s Making Love”, which he dubbed the ‘boogaty-boogaty’-thing. Johnnie Taylor does it all here gettin’ down, bein’ bluesy, balladeering… you name it. Yes, the title-track was a huge, huge hit… but this album is killer all the way through. The circular logic of the song is just as addictive as the music itself. The song hints at indictment of the practice, but mostly comes off to my ears like a song about Johnnie Taylor having no problems making love to a housewife while the spouse is out making love to a mistress. The album kicks off with it’s title track, a real romper of a legendary track and one of the crown-bearers of black soul’s long line of infidelity anthems. Equal parts James Brown and Ray Charles, Taylor was really one of the finest vocalists of his time and one of the more charismatic ones to boot. Rip, Research, Posting and additional info’s by Nikosįull of all the Motown-cum-dirty south hallmarks you’d hope for, Who’s Making Love. is one of soul’s great vocal turns. Johnnie Taylor – 1968 – Who’s Making Love
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These derogatory terms emphasize the replicants’ ‘artificial’ skin, in comparison to the presumed ‘authenticity’ of human bodies. Throughout the film, humans call attention to replicants’ bioengineered bodies using derogatory terms such as “skin-job” and “skinner”. One of the ways through which this biological boundary is reinforced is through the rhetorical association of replicants with ‘artificiality’. The human characters in 2049 continually attempt to reinforce the biological distinction between humans and replicants. What 2049 demonstrates, then, is the potential for biometric data to be used as the justification for the subjugation, control, and even execution of individuals who fail to meet specific biometric criteria. Joshi, warns him that the “scan said you didn’t look like you on the inside” and insinuates that K will now be ‘retired’ unless he can escape from the city. When the protagonist, a Nexus-9 replicant named K, fails a baseline test, his supervisor at the LAPD, Lt. Baseline tests are one method used to track the physiological and emotional state of the replicants. In 2049, replicant bodies are expected to be stable, predictable, and controllable, and their biometric data is used to ensure that they remain this way. The implications of this constant need to present one’s body for verification is that it frames bodily identity within “a larger dataset of what all bodies are”, or what certain bodies should be. The problem that the use of biometrics poses, Pramod Nayar argues, is that it forces individuals to identify themselves in terms of their biological traits “by constantly calling upon their bodies to identify, present, validate, show their ethnic membership, lineage and familial ties, all on one ID card”. Screenshot from Denis Villeneuve’s Blade Runner: 2049, Columbia Pictures, 2017. Image: The body of Rachael, the replicant mother, is identified using the serial number printed on her bones. One of the primary questions being raised by 2049, then, is how biological characteristics can be used to shape and reinforce concepts of identity. The biometric data used to track replicants is highly invasive: Wallace Corporation maintains extensive DNA records of each generation of replicants, and the serial number assigned to each individual replicant is engraved on their bones, meaning that their social identification is permanently incorporated into their bodies. Because replicants’ physical appearances do not immediately identify them as nonhuman, the human characters in 2049 appear to be obsessed with developing methods through which to reliably track replicants, with various forms of biometric data such as DNA and serial numbers serving as the primary means through which to identify a replicant. Like Scott’s Blade Runner, Villeneuve’s 2049 considers how ‘human’ and ‘nonhuman’ identity is constructed. Denis Villeneuve’s Blade Runner: 2049 (2017), the sequel to Ridley Scott’s Blade Runner (1982), explores many of the same topics, including the development of advanced biotechnology and the (in)ability to distinguish between humans and bioengineered replicants. This section provides you with some guidelines to identifyĪnd address problems with scattered data interpolation. The underlyingĭata may not vary smoothly, the values may jump abruptly from point Is likely to produce inaccurate readings or outliers. It may come from measuring equipment that When dealing with real-world interpolation problems the data In addition, the interpolant was evaluated well within the convex For example,Ĭlusters of points were not separated by relatively large distances. In addition, the points were relatively uniformly spaced. With the interpolation of point sets that were sampled on smooth surfaces. Many of the illustrative examples in the previous sections dealt The data set consists of a set of longitude ( x) and latitude ( y) locations, and corresponding seamount elevations ( z) measured at those coordinates.Īddressing Problems in Scattered Data Interpolation Plot the seamount data set (a seamount is an underwater mountain). This example shows how the griddata function interpolates scattered data at a set of grid points and uses this gridded data to create a contour plot. You might want to queryĪt arbitrary locations within the convex hull of the points. Interpolation is more general in practice. Locations the intent is to produce gridded data, hence the name. These two functions interpolate scattered data at predefined grid-point Lets you define the points in terms of X, Y / X, Y, Z coordinates. The calling syntax is similar for eachįunction the primary distinction is the 2-D / 3–D griddata function The griddata and griddatan functions take a set of sampleĪnd query points, Xq, and return the interpolated Interpolating Scattered Data Using griddata and griddatan To a wider range of interpolation problems. This class is encouraged as it is more efficient and readily adapts Supports scattered data interpolation in 2-D and 3-D space. To the exponential growth in memory required by the underlying triangulation. In dimensions higher than 6-D for moderate to large point sets, due Scattered data interpolation in N-D however, it is not practical The griddata function supports 2-D scatteredĭata interpolation. MATLAB ® provides two ways to perform triangulation-based The sample data is assumed to respect this property in order to produce a satisfactory interpolation. This is a single-valued function for any query point Xq within the convex hull of X, it will produce a unique value Vq. You can evaluate the interpolant at a query point Xq, to give Vq = F(Xq). In more general terms, given a set of points X and corresponding values V, you can construct an interpolant of the form V = F(X). Though the illustration highlights 2-D interpolation, you can apply this technique to higher dimensions. These methods and their variants are covered in texts and references on scattered data interpolation. You could also compute the weighted sum of values of the three vertices of the enclosing triangle (the linear interpolation method). You could compute the nearest point in the neighborhood and use the value at that point (the nearest-neighbor interpolation method). Once you find the point, the subsequent steps to compute the value depend on the interpolation method. This step generally involves traversing of the triangulation data structure to find the triangle that encloses the query point. 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Windows installation problem - on some systems. You should disable this option if the datafiles creation month and year date no longer reflect the soundings ascent date. This option can be found on the RAOB Program Configuration Options page (F9), Tab 1, Diagram Options. RAOB can be configured to display the datafiles month and year information (i.e., the file's local creation date) by selecting the Add Month and Year to sounding title display, otherwise RAOB will only display the data's Day and Hour information. The month and year data can only be obtained from the datafiles creation date (i.e., when the data was saved to the user's computer system). By design, WMO coded data does not contain Month and Year data, and it only contains the soundings day and hour information. Why is the sounding's DTG Month & Year displayed incorrectly? Note that this issue only applies to the use of standard WMO coded data (i.e., TTAA, TTBB, etc). Heights can also be displayed in either feet or meters and either MSL or AGL. You now can display temperature and wind data for any pressure or height interval. Click on the INTERVAL Tab (which then becomes the default data display screen). Other data display options are available with Tabs. The SUMMARY data screen is the default screen. When viewing the plotted diagram, press the SpaceBar to display several options of alphanumeric data.
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